JANE'S ADDICTION - Discography

1987 - Jane's Addiction

01 Trip Away
02 Whores
03 Pigs in Zen
04 1%
05 I Would for You
06 My Time
07 Jane Says
08 Rock & Roll
09 Sympathy
10 Chip Away

	Code:
	http://rapidshare.com/files/123871705/1987_-_Jane_s_Addiction.7z

When this live date was recorded at Hollywood's famous Sunset Strip club the Roxy in 1987, Jane's Addiction hadn't yet become the darlings of alternative rock culture. The L.A. band's unorthodox fusion of Led Zeppelin-influenced hard rock, dark Velvet Underground-ish imagery, and stream-of-consciousness art rock wasn't as focused or confident as it would be on the commanding Ritual de lo Habitual. But even so, the band showed considerable potential. As erratic and self-indulgent as this set gets, many of the songs are quite memorable. Lead singer/composer Perry Farrell was always fascinated with the dark side of the human psyche, and that fascination serves him well on "Pigs in Zen," the twisted "Whores," and the alternative rock favorite "Jane Says." And things get enjoyably trashy on covers of the Velvet Underground's "Rock & Roll" and the Rolling Stones' "Sympathy for the Devil." But while this CD will interest completists, more casual listeners should stick to Ritual de lo Habitual.

1988 - Nothing's Shocking

01 Up the Beach 3:00
02 Ocean Size 4:20
03 Had a Dad 3:44
04 Ted, Just Admit It... 7:23
05 Standing in the Shower...Thinking 3:03
06 Summertime Rolls 6:18
07 Mountain Song 4:03
08 Idiots Rule 3:00
09 Jane Says 4:52
10 Thank You Boys 1:00
11 Pigs in Zen 4:30

	Code:
	http://rapidshare.com/files/123872584/1988_-_Nothing_s_Shocking.7z

Although Jane's Addiction's 1987 self-titled debut was an intriguing release (few alternative bands at the time had the courage to mix modern rock, prog rock, and heavy metal together), it paled in comparison to their now classic major-label release one year later, Nothing's Shocking. Produced by Dave Jerden and Jane's Addiction vocalist Perry Farrell, the album was more focused and packed more of a sonic wallop than its predecessor; the fiery performances often create an amazing sense that it could all fall apart at any second, creating a fantastic musical tension. Such tracks as "Up the Beach," "Ocean Size," and one of alt-rock's greatest anthems, "Mountain Song," contain the spaciousness created by the band's two biggest influences, Led Zeppelin and the Cure. Elsewhere, "Ted, Just Admit It..." (about serial killer Ted Bundy) and the haunting yet gorgeous "Summertime Rolls" stretched to epic proportions, making great use of changing moods and dynamics (something most alt-rock bands of the time were oblivious to). An incredibly consistent and challenging album, other highlights included the rockers "Had a Dad" and "Pigs in Zen," the horn-driven "Idiots Rule," the jazz instrumental "Thank You Boys," and the up-tempo "Standing in the Shower...Thinking." Like most great bands, it was not a single member whose contribution was greater: Perry Farrell's unique voice and lyrics, Dave Navarro's guitar riffs and wailing leads, Eric Avery's sturdy basslines, and one of rock's greatest and most powerful drummers, Stephen Perkins. Nothing's Shocking is a must-have for lovers of cutting-edge, influential, and timeless hard rock.

1990 - Ritual De Lo Habitual

1 Stop! 4:14
2 No One's Leaving 3:01
3 Ain't No Right 3:34
4 Obvious 5:55
5 Been Caught Stealing 3:34
6 Three Days 10:48
7 Then She Did... 8:18
8 Of Course 7:02
9 Classic Girl 5:07

	Code:
	http://rapidshare.com/files/10895320/1990_-_Ritual_De_Lo_Habitual.rar

Ritual de lo Habitual served as Jane's Addiction's breakthrough to the mainstream in 1990 (going gold and reaching the Top 20), and remains one of rock's all-time sprawling masterpieces. While its predecessor, 1988's Nothing's Shocking, served as a fine introduction to the group, Ritual de lo Habitual proved to be even more daring; few (if any) alt-rock bands have composed a pair of epics that totaled nearly 20 minutes, let alone put them back to back for full dramatic effect. While the cheerful ditty "Been Caught Stealing" is the album's best-known track, the opening "Stop!" is one of the band's best hard rock numbers, propelled by guitarist Dave Navarro's repetitive, trashy funk riff, while "Ain't No Right" remains explosive in its defiant and vicious nature. Jane's Addiction always had a knack for penning beautiful ballads with a ghostly edge, again proven by the album closer, "Classic Girl." But it's the aforementioned epics that are the album's cornerstone: "Three Days" and "Then She Did...." Although Perry Farrell has never truly admitted what the two songs are about lyrically, they appear to be about an autobiographical romantic tryst between three lovers, as each composition twists and turns musically through every imaginable mood. And while the tracks "No One's Leaving," "Obvious," and "Of Course" may not be as renowned as other selections, they prove integral in the makeup of the album. Surprisingly, the band decided to call it a day just as Ritual de lo Habitual hit big, headlining the inaugural Lollapalooza tour (the brainchild of Farrell) in the summer of 1991 as their final road jaunt. Years later, it remains one of alt-rock's finest moments.

2003 - Strays

01 True Nature
02 Strays
03 Just Because
04 Price I Pay
05 The Riches
06 Superhero
07 Wrong Girl
08 Everybody's Friend
09 Suffer Some
10 Hypersonic
11 To Match The Sun

	Code:
	http://rapidshare.com/files/123875523/2003_-_Strays.7z

The last time that Jane's Addiction headlined Lollapalooza behind a high-profile album was, of course, 1991. Much changed in 12 years, though, and the declining fortunes of Perry Farrell's breakthrough festival during the summer of 2003 were matched by a desultory return from three-fourths of the original Jane's Addiction lineup on its third full album, Strays. Farrell, guitarist Dave Navarro, drummer Stephen Perkins, and bassist Eric Avery (who declined his reunion invitation) had been a vision of '80s musical heaven since their studio debut, 1988's Nothing's Shocking. Farrell's art-school intelligence and originality made the band interesting, while Navarro's and Perkins' background in heavy metal (they're both significantly younger than Farrell) gave the band punch, adding the melodicism of power pop and the constant riffing of thrash. Though Strays possesses all these characteristics -- it's undeniably a Jane's Addiction record, and a powerful one at that -- it also illustrates that the group's formidable musical talents have been subsumed by an apparent quest to save its legacy. For Strays is, most of all, a safe record. Farrell's regal, echo-laden vocals are intact (and out in front like never before), as are Navarro's ragged, lyrical guitar solos, but the songs lag far behind. In fact, they never even approach the level of any Jane's material from their two proper albums. This isn't a record that would allow a throwaway stunner like "Been Caught Stealing" (the tossed-off jam that became the band's biggest hit) or the majestic ten-minute epic "Three Days." In their place is a set of majestic jams influenced by Farrell's second Porno for Pyros LP, Good God's Urge, a mystical mishmash of musical feelings and textures, not songs. The allure of Jane's Addiction is undiminished by Strays (this is still a band creating music unlike any other group on earth), but the imagination, bravado, and songwriting smarts apparent from their previous classics is missing.

2003 - Strays (Limited Edition Bonus Disc)

01 Intro Loop 0:49
02 Interview 1 1:24
03 Strays (live) 4:24
04 Interview 2 3:22
05 Just Because (live) 2:37
06 Price I Pay (live) 5:24
07 Interview 3 3:03
08 Interview 4 1:18
09 Strays (live) 4:38
10 The Riches 4:06
11 Interview 5 2:53
12 Strays (alt version) 3:00

	Code:
	http://rapidshare.com/files/123874029/2003_-_Strays__Ltd.Ed._Bonus_Disc_.7z

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